The Amityville Horror (1979) [DVD]
Screenplay : Sandor Stern (based on the book by Jay Anson)
MPAA Rating : R
Year of Release : 1979
Stars : James Brolin (George Lutz), Margot Kidder (Kathy Lutz), Rod Steiger (Father Delaney), Don Stroud (Father Bolen), Murray Hamilton (Father Ryan), John Larch (Father Nuncio), Natasha Ryan (Amy), K.C. Martel (Greg), Meeno Peluce (Matt), Michael Sacks (Jeff), Helen Shaver (Carolyn)
Like William Friedkin's "The Exorcist" (1973), the film it is most obviously trying to emulate, "The Amityville Horror" is based on a supposedly true story. Of course, "The Exorcist" was taken from a fictional book by William Peter Blatty that was inspired by news reports he had read while in college of a preteen boy possessed by a demon; on the other hand, "The Amityville Horror" was adapted from a supposedly nonfictional account of a haunting by documentary scriptwriter Jay Anson. Anson's book, which turned out to be a major bestseller in the late 1970s, chronicles one family's terrifying 28 days in a haunted house on Long Island. As Anson writes in the afterword to his book, "To the extent that I can verify them, all the events in this book are true."
Of course, many have called into question the validity of Anson's account. It is, after all, a fairly sensationalistic story, and stories like it tend to draw a strict dividing line between those who believe in them and those who don't. There is rarely any room for those who might believe that some of it might be true and some of it might be exaggeration. (A 1995 book titled "The Amityville Horror Conspiracy" by Stephen Kaplan and Roxanne Salch Kaplan, both members of the Parapsychology Institute of America, attempts to prove that the whole thing was, in fact, a hoax.)
Hoax or not, the 1979 film, directed by Stuart Rosenberg ("Cool Hand Luke"), sticks fairly close Anson's account in the book (although it omits some subplots and details). In December 1975, George (James Brolin) and Kathy (Margot Kidder) Lutz bought a big, colonial-style house at 112 Ocean Drive on Long Island. Although the house looks normal from the front and the rear, the sides of the house are adorned at the top with two slanted, triangular attic windows on either side of a chimney that have the unmistakable menace of glaring, demonic eyes. Whoever was the architect of this house must have known that some day it would be haunted.
George and Kathy were able to buy the house far under its actual value because, one year earlier, a young man named Ronald DeFeo had shot and killed his entire family in the house, including his mother, father, and four younger siblings. George and Kathy had recently been married, and Kathy had three young children from a previous marriage. Within 28 days of living at the house, the entire family of five fled it in terror, taking none of their possessions with them and never returning.
The narrative chronicles the supposed strange, paranormal events that caused the Lutz family to desert the house. These include a mysterious swarm of flies that attack a Catholic priest (Rod Steiger in an incredibly bad performance) when he comes to bless the house, black slime gurgling up through the toilets, doors and windows mysteriously closing and locking, and a harsh chill felt through the house. Soon, the youngest daughter is speaking with an invisible friend named Jodie who "tells her things," and in the overwrought climax, blood runs from the walls and something very large attempts to break its way through the basement floor.
On its surface, "The Amityville Horror" is a strictly by-the-numbers, formally competent haunted house flick. It has the somewhat slow pace of a made-for-TV movie (no surprise that screenwriter Sandor Stern has written numerous TV movie scripts) that is interrupted now and again by some genuinely scary moments, most of which happen at exactly 3:15 a.m., the time at which the mass murder occurred in the house a year earlier. The performances by James Brolin and Margot Kidder are assured and convincing, which helps us believe in their strained relationship--which includes his marrying into a family and having to change his religion to Catholicism--and how it is exacerbated by the paranormal occurrences.
What surprises me is the fact that so many critics missed (or simply ignored) the obvious and disturbing link the film makes between paranormal horror and domestic violence. In fact, it seems to me that the film, much like Stanley Kubrick's "The Shining" (1980), is really more about the deep-seating, primal fear of family members inflicting violence on each other than it is about ghosts and demonic spirits.
Consider that the film opens with the most intense form of domestic violence: a son murdering his entire family in cold blood. The film then carries this theme forward by suggesting that the house is somehow possessing George Lutz and causing him to become angry and violent toward Kathy and the children (once again, much like "The Shining"). The most chilling scene in the film is a nightmare Kathy has in which she dreams that she walks into her daughter's room and finds George standing over her bloody body with an upraised axe.
The axe becomes a recurring symbol of violence throughout the film, as there are numerous shots of George hacking away at firewood outside, even though he has enough chopped to last them through the winter. One gets the feeling that he is simply trying to excise his violent tendencies on the wood, rather than the people with whom he lives, although the fear generated in these sequences is the uneasy sensation that, sooner or later, the wood will no longer suffice.
However, it is not particularly surprising that any social subtexts the film has to offer would be lost in the cavalcade of controversy surrounding the authenticity of the narrative. The controversy helped the movie become a smash success, earning over $35 million at the box office in the spring of 1979 and unleashing a seemingly endless parade of increasingly bad sequels, which at the present number eight. The controversy still ranges now, 25 years later, with Ronald DeFeo recently being turned down for parole and a new two-part documentary on the Amityville case set to air on the History Channel on October 31-November 1, 2000. There will probably never be a final, definitive answer to what happened at 112 Ocean Drive during the 28 days the Lutz family lived there at the end of 1975, but that won't stop the curious from seeking.
|The Amityville Horror DVD|
|Widescreen||1.85:1 / 1.33:1|
|Audio||Dolby Digital 1.0 Monaural|
|Supplements||Original theatrical trailer|
|Distributor||Metro Goldwyn Mayer|
|The film can be viewed in either 1.85:1 nonanamorphic widescreen or in 1.33:1 open matte. The image quality is generally decent, but nothing outstanding. The lack of an anamorphic transfer obviously reduces the potential for detail, and the overall image has a somewhat dated quality. The image is a bit soft and the colors don't appear particularly vivid. Much of the film takes place at night, and unfortunately the black levels are not solid throughout most of the film. The print used for the transfer was clean, though, as there were almost no instances of dirt or major blemishes on the source material.|
|The Dolby Digital 1.0 monaural soundtrack is quite good. Despite being mono, it has a nice depth and good range that highlights the creepy, choir-inflected music (which is actually the rejected score from "The Exorcist"). Dialogue is always clearly audible, and the sound effects have surprising punch and vigor.|
|The only included supplement is the original theatrical trailer, which is presented in nonanamorphic widescreen (1.85:1).|
©2000 James Kendrick